I ? Modeling Clay - Text Effects - CM 271532
I ♥ Modeling Clay — Text Effects
Layered PSD | Adobe CS3+ | CM 271532 | 68,3 MB

 

user Coktum |  Comments: (0)

Modeling the Portrait in Clay Part 8: The Expression


Modeling the Portrait in Clay Part 8: The Expression


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-8-the-expression/?course=236936


In this final lesson, David modifies the sculpture’s eyes and hair direction, adds movement to its brows, eyes, and lips. He also describes the finishing techniques he uses including specific tools and materials: Gamsol solvent, clay-solvent mixture, baby powder, brushes, and cotton fabric.

 

user Gamystyle |  Comments: (0)

Modeling the Portrait in Clay Part 7: Changing the Pose


Modeling the Portrait in Clay Part 7: Changing the Pose


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-7-changing-the-pose/?course=236936


In the beginning of this lesson, David refines the left side of the face and lays out the facial symmetry. After that, he cuts the sculpture’s neck through with a wire and changes the pose of the sculpture to give some movement to it. Then David adjusts the neck and the lower part to the new pose and adds more details to the neck connection with the head and the shoulders. You will also learn how to give movement to certain facial features like eyes or lips. 

 

user Gamystyle |  Comments: (0)

Modeling the Portrait in Clay Part 6: The Shoulder Girdle


Modeling the Portrait in Clay Part 6: The Shoulder Girdle


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-6-the-shoulder-girdle/?course=236936


In this lesson, David lays in the shoulders, the collar bones, and the sternum. He also adds mass to the lower part of the sculpture to balance out the upper part. Then David demonstrates how you can adjust the relationships between the right ear, the neck, and the hair by adding or removing volume and refining transitions.  He adjusts the forehead-hairline-temple relationships the same way. Finally, you see how the right side of the portrait gets more and more specified. 

 

user Gamystyle |  Comments: (0)

 Modeling the Portrait in Clay Part 5: Forehead & Hairline


 Modeling the Portrait in Clay Part 5: Forehead & Hairline


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-5-forehead-hairline/?course=236936


Now that we’ve reached the mid-way point, David starts this lesson by comparing the sculpture with the model again and identifying the new problem areas. He works on the forehead and the hairline and adds volume to the back of the head. In the last part of the lesson, David focuses on the left side of the face.

 

user Gamystyle |  Comments: (0)

 Modeling the Portrait in Clay Part 4: The Eyes & Nose


 Modeling the Portrait in Clay Part 4: The Eyes & Nose


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-4-the-eyes-nose/?course=236936


David begins this lesson by comparing the sculpture with the model and identifying the major issues. After fixing them, he works on the eyelids, the eyebrows, and the eye-nose relationship. David shows how to add volumes where it’s needed and how to check angles. In the last part of the lesson, he focuses on the right side of the face.

 

user Gamystyle |  Comments: (0)

Modeling the Portrait in Clay Part 3: Balancing Symmetry


Modeling the Portrait in Clay Part 3: Balancing Symmetry


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-3-balancing-symmetry/?course=236936


In this lesson, David shows you how to block in the neck and the shoulders. Then he details the hair, the ears, and the eyes and builds the relationships between the features. You will also learn how to balance out the symmetry of your sculpture.


 

user Gamystyle |  Comments: (0)

 Modeling the Portrait in Clay Part 2: Blocking in the Forms


 Modeling the Portrait in Clay Part 2: Blocking in the Forms


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-2-blocking-in-the-forms/?course=236936
In the second lesson, David lays in the sculpture’s profile in between the measuring nails. He starts to block in the facial features and gradually adds more visual information. By the end of this lesson, you should be able to roughly pull all the forms together.

user Gamystyle |  Comments: (0)

Modeling the Portrait in Clay Part 1: Armature and Measurements


Modeling the Portrait in Clay Part 1: Armature and Measurements


https://www.nma.art/videolessons/modeling-the-portrait-in-clay-part-1-armature-and-measurements/?course=236936


Join internationally acclaimed artist, David Simon, as he teaches you his approach to modeling a three-quarter life-size portrait in clay.

user Gamystyle |  Comments: (0)

Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes
Clay iPhone 11 Pro Mockup - Clay Mockup Scenes

Presenting Brand New iPhone 11 Pro Clay Mockup! The mockup is super high resolutions, very easy to customize and it comes with multiple variations and angles.

Layered PSD | 6500×4000

user LavinLa |  Comments: (0)


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